Indian actor and television personality Shruti Seth has spoken candidly about the ban on Pakistani artists in India, expressing her belief that art should remain a bridge between people rather than a victim of politics.

Seth, best remembered for her work in hit series such as Shararat and Baalveer, shared her views during a recent podcast appearance. She fondly revisited her time working alongside Pakistan’s celebrated comedian Shakeel Siddiqui on shows like Comedy Circus and Comedy Nights Bachao.

A Memorable Partnership on Stage

Recalling their collaboration, Seth described the experience as one of the most cherished moments of her career. She revealed that none of their comedy segments were pre-written, relying entirely on improvisation and mutual understanding. “Even now, when I travel abroad, people still talk about those performances with Shakeel. They were spontaneous and created in the moment,” she said.

Siddiqui’s quick humor and stage charisma earned him admiration among Indian audiences, making his partnership with Seth a standout example of cross-border entertainment success.

Art in the Shadow of Politics

When asked about the ban preventing Pakistani artists from working in India — a decision driven by political tensions between the neighbouring nations — Seth responded with restraint but conviction. “The world right now is being run by politics, and I’m not in a position to comment on that aspect. But I do believe that art should have no boundaries,” she stated.

She went on to highlight the unifying role of creativity throughout history. “Whenever there has been conflict, art has always been the medium that heals and brings people together. It represents love, acceptance, and shared humanity. As it has connected us for generations, I hope it will continue to do so in the years ahead,” she added.

Her remarks have sparked renewed discussion on whether cultural exchange between India and Pakistan should be kept separate from political disputes, especially given the deep cultural connections shared by audiences on both sides.